How to Draw Circle in After Effects

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Create and change shapes using Pen and shape tools and re-create paths into After Effects from Illustrator and Photoshop.

Yous create a shape layer by drawing in the Limerick console with a shape tool or the Pen tool. You can then add shape attributes to existing shapes or create shapes within that shape layer. By default, if you depict in the Composition console when a shape layer is selected, y'all create a shape within that shape layer, to a higher place the selected shapes or grouping of shapes. If you draw in the Limerick panel using a shape tool or Pen tool when an image layer other than a shape layer is selected, you create a mask. For more than data, come across Create masks in Later on Effects.

Shortcuts for Shape tool is Q, and Pen Tool shortcut is M.

Before drawing in the Composition console to create a shape layer, press F2 and deselect all layers.

Usually, a new shape has a fill up and a stroke that correspond to the Make full and Stroke settings in the Tools console at the time that the shape is drawn. You can utilise the aforementioned controls in the Tools panel to modify these attributes for a selected shape after information technology has been drawn. Shapes created from text are created with fills and strokes that match the fills and strokes of the original text.

Catechumen Vector Fine art Footage to Shape

Yous tin can create a shape layer from a vector art footage layer, and and then modify it. With the power to bevel and extrude objects in Later Effects, you can extrude the artwork, for example, extruded logos. For more information, see Extruding text and shape layers.

To catechumen a vector fine art footage layer to shape layer, chooseLayer > Create >Create Shapes from Vector Layer. A matching shape layer appears above the footage layer, and the footage layer is muted.

• Not all features of Illustrator files are currently preserved. Examples include: opacity, images, and gradients.
• Converted shapes ignore PAR overrides specified in the Interpret Footage dialog box.
• Gradients and unsupported types may show as l% gray shapes.
• Files with thousands of paths may import slowly without feedback.
• The carte control works on a single selected layer at a fourth dimension.
• If you import an Illustrator file equally a composition (multiple layers), you cannot convert all those layers in 1 pass. However, you can import the file as footage, and then use the command to catechumen the single footage layer to shapes.

To activate and cycle through the shape tools, printing Q.

A polygon is a star without an Inner Radius or Inner Roundness belongings. So, the name of the shape created for a polygon or a star is the same: polystar.

You can create a mask past dragging with a shape tool on a selected layer in the Composition panel or Layer console. You tin can create a shape by dragging with a shape tool on a selected shape layer in the Composition panel. If y'all drag with a shape tool in the Limerick console with no layer selected, you create a shape on a new shape layer.

To depict a mask on a shape layer, click the Tool Creates Mask button in the Tools panel with a shape tool active.

When you lot create a shape by dragging with a shape tool in the Composition panel, you lot create a parametric shape path. To instead create a Bezier shape path, press the Alt (Windows) or Option (Mac Bone) key before you click to begin dragging. You can release the primal before you complete the drag operation. All mask paths are Bezier paths. (See Near shapes and shape layers.)

Dragging starts when yous click in the Limerick panel or Layer console to begin cartoon, and ends when you release the mouse push. Pressing modifier keys at different times during a single dragging operation achieves different results:

• To reposition a shape or mask as you are drawing, hold the spacebar or the centre mouse push while dragging.

• To scale a circumvolve, ellipse, square, rounded square, rectangle, or rounded rectangle around its center while drawing, hold the Ctrl (Windows) or Command (Mac OS) key after you begin dragging. Don't release the fundamental until you have released the mouse push button to finish drawing.

• To cancel the drawing operation, press Esc.

Each shape tool retains the settings of the well-nigh recent drawing performance with that tool. For instance, if you draw a star and modify the number of points to be 10, then the next star that you describe will too have 10 points. To reset settings for a tool and create a shape with the default settings, double-click the tool in the Tools panel. (Encounter Create a shape or mask the size of the layer.)

Draw rectangles, rounded rectangles, squares, and rounded squares

2.  (Optional) If drawing a rounded rectangle or rounded square, do the following before releasing the mouse push button:

• To increase or decrease the corner roundness, printing the Upwardly arrow key or the Downwards arrow key, or roll the mousewheel forwards or backward.
• To set corner roundness to the minimum or maximum, press the Left arrow key or the Correct pointer central.

3.  Finish drawing by releasing the mouse button. If cartoon a square or rounded square, release the Shift key subsequently releasing the mouse push.

Squares are created to be square according to the pixel aspect ratio of the limerick. If the pixel attribute ratio of the composition is non 1, and so squares appear foursquare in the Composition console only if the Toggle Pixel Aspect Ratio button is selected at the bottom of the Limerick panel.

Draw ellipses and circles

1. Select the Ellipse tool, and do one of the following:
   • To draw an ellipse, drag diagonally.
   • To draw a circle, Shift-elevate diagonally.
2. Release the mouse to cease cartoon. If cartoon a circle, release the Shift primal afterward releasing the mouse button.

Circles are created to be circular according to the pixel aspect ratio of the composition. If the pixel attribute ratio of the composition is non 1, then circles appear circular in the Composition panel only if the Toggle Pixel Attribute Ratio push button is selected at the bottom of the Composition console.

Depict polygons and stars

2.  (Optional) Do the post-obit before releasing the mouse button:

• To add or remove points, printing the Up arrow key or the Downward pointer cardinal, or roll the mouse bicycle forward or astern.
• To increase or decrease the outer roundness, press the Left arrow cardinal or the Correct arrow primal.
• To keep the inner radius of a star constant as you move the mouse to increase the outer radius, agree the Ctrl (Windows) or Command (Mac Os) key.
• To increment or decrease the inner roundness of a star, press the Page Upwardly primal or the Page Down primal.

3.  Release the mouse button to finish cartoon. If Shift-dragging to foreclose rotation, release the Shift key after releasing the mouse button.

You can create a Bezier mask using the Pen tool on a selected layer in the Limerick console or Layer panel. You can create a shape with a Bezier path using the Pen tool on a selected shape layer in the Composition panel. If you depict with the Pen tool in the Limerick panel with no layer selected, you create a shape on a new shape layer.

Creating a RotoBezier path is similar to creating a transmission Bezier path. The principal difference is that management lines for vertices and curvature for path segments are automatically calculated.

With the Pen tool selected and the RotoBezier option deselected in the Tools console, click in the Composition panel where you want to place the first vertex.

Click where yous want to place the next vertex. To create a curved segment, elevate the direction line handle to create the curve that you lot want.

To reposition a vertex after you lot've clicked to place it but before you've released the mouse button, concur the spacebar while dragging.

The last vertex that you add appears as a solid square, indicating that it is selected. Previously added vertices become hollow, and deselected, every bit you add more vertices.

Repeat step 2 until you are fix to consummate the path.

Complete the path by doing one of the following:

• To close the path, place the pointer over the first vertex and, when a airtight circle icon appears next to the arrow , click the vertex. Y'all can also shut a path past double-clicking the last vertex or choosing Layer > Mask And Shape Path > Closed.
  
• To leave the path open, activate a different tool, or printing F2 to deselect the path.

The simplest path that you tin can draw with the Pen tool is a straight line, fabricated by clicking with the Pen tool to create two vertices. Past continuing to click, yous create a path made of straight-line segments connected by corner points.

Identify the Pen tool where yous want the directly segment to begin, and click to place a vertex. (Do not drag.)



Clicking with Pen tool creates straight segments.

Click again where you desire the segment to end. (Shift-click to constrain the bending between segments at the corner point to a whole multiple of 45°.)

Continue clicking to set up vertices for additional straight segments.

You create a curved path segment by dragging direction lines. The length and direction of the direction lines make up one's mind the shape of the curve.

Shift-drag to constrain the angle of the direction lines to whole multiples of 45°. Alt-drag (Windows) or Option-drag (Mac OS) to modify only the outgoing direction line.

one.  Place the Pen tool where you want the curve to begin, and hold the mouse push down. A vertex appears, and the Pen tool arrow changes to an arrowhead.

2.  Drag to change the length and management of both direction lines for a vertex, and then release the mouse button.

Drawing the showtime vertex in a curved path

A. Placing the Pen toolB. Starting to elevate (mouse button pressed)C. Dragging to extend direction lines

3.  Place the Pen tool where you desire the curved segment to stop, and do one of the following:

• To create a C-shaped curve, drag in the management opposite from the direction that yous dragged the previous direction line, and then release the mouse push button.

Drawing the second vertex in a curved path

A. Starting to dragB. Dragging away from previous direction line, creating a C curveC. Issue after releasing mouse button

• To create an S-shaped curve, drag in the same direction as the previous direction line, so release the mouse button.

Drawing an South curve

A. Starting to elevateB. Dragging in aforementioned direction as previous direction line, creating an S curveC. Issue after releasing mouse button

4.  Continue dragging the Pen tool from different locations to create a series of smooth curves.

Create a shape of the size of the layer

Select the destination for the new shape:

• To create a shape on an existing shape layer, select the shape layer.

• To create a shape on a new shape layer with the dimensions of the composition, deselect all layers by pressing F2.

• To replace a shape path, select the shape path (not the group) in the Limerick panel or Timeline panel.

Create shapes from text characters

Use Create Shapes From Text to excerpt the outlines for each character, create shapes from the outlines, and put the shapes on a new shape layer. You can so use these shapes as yous would any other shapes.

Utilize Create Masks From Text to extract the outlines for each graphic symbol, create masks from the outlines, and puts the masks on a new solid-color layer. Y'all tin then apply these masks equally you would any other masks.

Some font families, such as Webdings, include characters that are graphical images, rather than text. Converting text from these font families can be a practiced mode to get started with simple graphical elements in shape layers.

Select the text to catechumen to shapes:

• To create shapes for all characters in a text layer, select the text layer in the Timeline console or Limerick panel.
• To create shapes for specific characters, select the characters in the Composition panel.

• Cull Layer > Create Shapes From Text.
• Correct-click (Windows) or Control-click (Mac OS) the layer or text and choose Create Shapes From Text from the context bill of fare.

• The Video switch for the text layer is turned off.
• The new shape layer is created at the top of the layer stacking order. The new layer contains one shape group for each selected character, plus make full and stroke properties that match the fills and strokes of the text.
• For characters that consist of compound paths—such as i and e—multiple paths are created and combined with the Merge Paths path operation.
• Effects, masks, layer styles, and keyframes and expressions for properties in the Transform belongings group of the text layer are copied to the new shape layer or solid-colour layer.

Copy a path from Illustrator or Photoshop

You can copy a path from Illustrator or Photoshop and paste information technology into After Effects as a mask path or shape path.

To make the data copied from Illustrator compatible with After Effects, the AICB option must be selected in the Files & Clipboard section of the Adobe Illustrator Preferences dialog box.

For a path imported from Photoshop to be scaled correctly, the Photoshop document must accept a resolution of 72 dpi. 72 dpi is the Resolution setting of documents created in Photoshop using a Film & Video preset.

You lot can also utilize a copied Illustrator or Photoshop path as an After Furnishings motion path. See Create a movement path from a mask, shape, or pigment path for more than information.

Path drawn in Adobe Illustrator (left) and pasted into After Furnishings as a mask (correct)

In Illustrator or Photoshop, select an entire path, and then choose Edit > Copy.

In Afterward Effects, do one of the post-obit to define a target for the paste operation:

• To create a mask, select a layer.

• To replace an existing mask path or shape path, select its Path property.

To paste a path equally a shape path, yous must select the Path belongings of an existing shape in a shape layer. This choice tells Afterwards Effects what the target of the paste operation is; if the target isn't specified in this way, Afterward Effects assumes that the target is the unabridged layer and therefore draws a new mask. If there is no Path property—possibly because the shape layer is empty—then you can describe a placeholder path with the Pen tool and then paste the path from Illustrator into the placeholder path.

Choose Edit > Paste. If y'all paste multiple paths into a shape path, the first path goes into the shape path, and the remaining paths are pasted into new mask paths.

Create a shape from a motionpath

Y'all tin can copy position keyframes, anchor indicate keyframes, or an effect control point's position keyframes and paste those keyframes into a selected mask path or shape path. When you create mask paths or shape paths from move paths, make certain that you copy keyframes from a unmarried Position property only—exercise not copy the keyframes of any other belongings.

Depict a movement path with Motion Sketch then paste the path into a mask path or shape path.

The motion path of the spaceship copied to the background layer, and blithe

Create a shape path from a move path

In the Timeline panel, click the name of the Position holding or Anchor Betoken belongings from which you desire to re-create the motion path. (This selects all keyframes. To select only some of the keyframes of a motion path, Shift-click them.)

To create a shape layer, press F2 to deselect all layers, then click in the Composition console with the Pen tool to create a single-point Bezier path.

Press SS to reveal the Path property for the shape. Click the name of the Path property into which to paste the keyframes from the motion path.

Create a mask path from a motion path

Duplicate a shape group while transforming

When a shape group is selected in grouping selection mode, you can duplicate the group while moving, rotating, or scaling it in the Composition panel.

Hold the Alt (Windows) or Option (Mac Os) key as you drag to transform a grouping.

The pointer changes to a duplication pointer ( or ) every bit y'all concur the key and place the arrow near the group transform box.

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Source: https://helpx.adobe.com/after-effects/using/creating-shapes-masks.html

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